While I’ve utilized a similar “cloned cube” composition in this concept, this is the first time I’ve combined 3D elements with a 2D matte painting backdrop. While neither of these elements was overly elaborate in its complexity, I’m pleased with the resulting composition and color palette. You can see a few final concepts below (incorporated in Adobe InDesign), but head over to Ink to see the original scene along with the remaining stills.
If you have ever seen any of the Star Wars movies, you’ll see a consistent theme regardless of film: immense and seemingly infinite spaces. In earlier episodes, the Death Star is perhaps the largest “space”, while Coruscant is the equivalent in more recent episodes.
I have always been fascinated with large scale settings such as these. This is perhaps why I have always been fascinated with cities such as Tokyo and other large metropolitan centers. The design and complexity of these areas is nothing short of staggering.
To create a digital matte painting of such a space takes considerable effort and planning. To start an initial exploration process, I created several renderings which I call the “City of Gold.” You can see the entire collection here.
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