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Year 2010

Electronica Genius.

I recently acquired Joris Voorn’s 2008 mix – “Balance” – on double CD.  In short, the compilation is simply a masterpiece of electronica and well-crafted mixes.

Joris’ introduction pretty much says it all:

“The process of making these mixes has been more like painting with sound rather than performing a traditional DJ-mix.

“As you can see, I have used a lot of tracks.  My intention while working on these mixes, however, has not been a simple case of ‘more is more’ – some of the tracks have been reduced to portions as small as a 2-bar loop, or are just a break or an intro.

“The process was inspired and inspiring, and although this Balance project is over, it has created many new leads and ideas for future works.

“I hope that people will enjoy the results.  Some listeners will be surprised by what they hear, but I believe I’ve pushed my boundaries in not only a technical way but – even more so – in a musical and artistic way as well.”

Foretelling the Future.

I have been reading Isaac Asimov’s Prelude to Foundation (first published in 1988) off and on over the past several months.  I found it interesting that several passages towards the middle of the book bear a close resemblance to features found within Amazon’s Kindle:

Display:

“The pages aren’t blank, they’re covered with microprint.  [..]  If I press this little nubbin on the inner edge of the cover – Look!”  The pages to which the book lay open was suddenly covered with lines of print that rolled slowly upward.

Navigation:

Seldon said, “You can adjust the rate of upward movement to match your reading speed by slightly twisting the nubbin one way or the other.  When the lines of print reach their upward limit – when you reach the bottom line, that is – they snap downward and turn off.  You turn to the next page and continue.”

Power:

[…] “Where does the energy come from that does all this?”

“It has an enclosed microfusion battery that lasts the life of the book.”

Storage:

[…] This type of book has its advantages.  It holds far more than an ordinary visual book does.”

Whether the origins of the Kindle started with these passages, I am unsure.  In any case, Asimov’s role was not to develop an electronic reader – rather it was to develop an idea that others could take and build upon.  In this particular case, this fictional concept was eventually developed into a real product.

This is important to understand because the lifespan of a given concept is, I think, undefined.  We may never know where Asimov obtained the seeds for these passages, just as we do not yet know what other technologies may come from the electronic reader.

Media Temple.

After several months of debate, I decided to move both BigGenerator.com and AdrianDaniels.com (and related microsites – including this one) to a new hosting provider called Media Temple.  I came across their site at WordPress.org and was sold immediately after taking a closer look.

I made this change this past weekend as I’m planning to drive additional traffic to the sites – particularly Big Generator via a new Google AdWords campaign.

I have already seen a considerable difference in terms of site response.  I’ll likely post a review of my initial experiences with Media Temple over the next several weeks.

In the meantime, let me know if you can tell a difference!

“Ink” is LIVE.

As promised, the latest addition to the creative family is live.  Digital illustrations of people, objects and environments: http://ink.adriandaniels.com

Perception = Reality. Really?

Once you get a label in mind, you don’t notice things that don’t fit within the categories that do make a difference.  But we pay a price for these mental shortcuts.  “The baggage that comes with labeling is the notion of the blunders, really.  It prevents you from seeing what’s clearly before your face; all you’re seeing now is the label.”

An NBA player is labeled as a low draft pick.  Thanks to our diagnostic bias, it doesn’t matter whether he plays his heart out: he’ll always be viewed as subpar.  Once a professor is described as cold, his personality and teaching ability cease to matter: his students dislike him anyway.  The diagnosis bias causes us to distort or even ignore objective data.

Sway, The Irresistible Pull of Irrational Behavior

Several years ago, I was presented with the argument “perception equals reality”.  At the time, I had to agree – I could not see any way around it.  If people perceive you or something in a certain way, then there is perhaps little you can do to change that initial perception.  In most circumstances, I still believe that this is (unfortunately) true.

In my last post I introduced the concept of an advancement or development path.  I argue that if you can understand this concept and construct an advancement path focusing on your perception of the world, then you will start to question whether perception is reality and what aspects of your perception require alteration in order to see what truly is.

Here is an example of what such an advancement path could look like:

What happens if you are being perceived in a way that is not reflective of reality?  There are really two main options: (with varying degrees in between)

Option #1: Is there any truth in the perception?  If so, face the perception head on and outline what you will do to correct this initial perception.  Show the advancement pathway to highlight your understanding of the situation and use it as a vehicle for positive change.

Option #2: If there is no truth in the perception it’s probably best to figure out how to remove yourself from the situation.  This isn’t to say that expending some effort to correct this initial perception won’t add any benefit, but if the core perception is completely wrong, then it’s likely that it will remain in this state independent of your actions – no matter how admirable they may be.

One thing to be aware of is the downward spiral of a self-fulfilling prophecy.  If the degree of the invalid perception is significant (i.e. you are classified as ‘A’ and you are really ‘Z’), then the sheer disconnect (left unchecked) could result in behavior that becomes aligned with the initial perception – and that’s exactly what you don’t want!

Understand the model.  Understand what is truly “real”.  Make adjustments for positive change or disconnect from the situation at hand.

Advancement Pathways.

“On the other hand,” said Randa, “my uncle used to say, ‘All knowledge is one,’ and he may be right.  You may learn something from meteorology that will help you with your psychohistory.  Isn’t that possible?”  Seldon smiled weakly.  “A great many things are possible.”  And to himself he added: But not practical.

– Prelude to Foundation, Isaac Asimov

One of the concepts that I’ve explored over the past several years is something called a development, or advancement model.  The purpose of such a model is to determine where you are in terms of an “ideal” state, and what changes you may have to employ in order to reach that state.

Since several of my recent posts have focused on digital illustration, it only makes sense to show an advancement model in this area.  On the left side of this model is a “starting” state while the right side shows an ideal “end” state – in this case a digital matter painter (who would be employed doing matte paintings for movies, for example).

(As you can see, I am pretty far from this particular end-state!)

This is a good start, but it’s not particularly useful other than showing where one is within the advancement “spectrum”.  For example, it doesn’t really tell us what we need to do to get to this ideal end-state.  Here is a potential improvement:

This version highlights at least five levels of advancement one needs to achieve in order to become a professional “digital matte painter”.  But this model is also rather limited in that it assumes an ideal growth path is linear – which, in many cases, it is not.  In fact, sometimes the best advancement path is anything but linear! (although it can take longer to get that ideal state)

Here is an advancement model that is more dynamic and perhaps more reflective of “real-world” development:

As you can see, we’re still intent on building the skills and aptitude necessary to become a “digital matte painter” but the path is less structured and more dynamic – potentially allowing one to become an even more advanced (rounded) matte painter at the end of this “journey”.  Some paths, as you can see in this visual, diverge completely from the originally defined end state.

Needless to say, this model is created partially in hindsight as one may not know all of the paths that she/he can take on this development journey.  Which begs the question: if the creation of this model is partially in hindsight, what is the relevance?

The relevance of this type of advancement model is that it forces one to look at the pathway they are on to assess whether their current direction will ultimately converge towards the end state.  If not, is this a temporary deviation or a permanent one?  Has the goal changed?  Does it make sense to reverse course and try another path?

As one gains greater knowledge about the “ideal” end state, they will have a greater ability to introduce new and alternative pathways that may help broaden their experience and understanding.  Having multiple pathways is a good thing as it can provide new advancement channels to explore.  The key is not to get “lost” in this “web” and ensure that the paths one follows is done with a true sense of purpose.

Advancement models are useful constructs for helping one improve in a given area, and can also help expand one’s understanding of the experiential and educational landscape associated with the core subject.  Start with your career – what does your advancement model look like?  What does the “ideal state” look like for you?  How will you get there?

Plane 9 | Phase 39

With education as the backbone to my personal and professional life, the beginning of September continues (even to this day) to symbolize a new beginning for me.  Having moved into the ninth Plane (“Exodus”) in May, September 1st signifies the start of Phase 39 and a set of revised objectives for the months ahead:

Painting – Having experience with both traditional and digital art, I’ve found that having a true understanding of the fundamentals can make a significant difference when that same process is carried over into the digital realm.  This, I think, is one major reason why I’ve found it easier to paint with the Cintiq than I had originally believed – having taken a foundations course several years ago using charcoal and graphite.  However, to further improve my digital painting abilities, I am considering taking an oil or acrylic painting course at The Visual Arts Center of Richmond this term.

Ink – As you have already seen, my brief exploration with the Cintiq has pushed me to think seriously about the design and launch of a new “microsite” under my parent domain.  While some may question the purpose of a site such as this (i.e. not all of my creations will be deemed “remarkable”), that’s ultimately the point – you have to start somewhere.  As a real-world example, I started experimenting with graphic design nearly seventeen years ago and my early attempts were less than great (“comical” is the word that actually comes to mind …). Fortunately, my enjoyment for the process and medium has allowed me to gain the necessary experience to launch a business which may open up additional doors in the future.

OpenIDEO – While I have not had a chance to explore this site in much depth, I think this is a unique opportunity to make a positive impact while continuing to push myself both intellectually and creatively.  (And the fact that is comes from a company that I greatly admire doesn’t hurt either!)

Version Two – Having launched my personal brand earlier this year, I would like to revise the site to ensure that it includes other aspects of my portfolio – not just “Ink” but other projects as well, including my work at Big Generator.

The Factory – This concept is the graphical equivalent to Incubator.  It’s a microsite that will develop new graphical concepts that can be incorporated into graphic designs and/or digital illustrations.  The origins of this idea came partially from Eric Hanson’s video (“Digital Sets 1 – Design, Modeling and Camera”) where he highlights the concept of creating virtual buildings that can be later incorporated into larger 3D environments.  This idea is still in its infancy, and may not become visible until 2011 or later but it is worth thinking about now.

GD – Now having a solid graphic design portfolio established, I can now take inventory of what the next generation of my designs will need to entail.  Most of my designs up until this point focus primarily on color and typography and are nearly absent of patterns or imagery.  GD (capital letters) is the next chapter of my graphic / information design exploration.

Preview III: “Ink”

One final preview before official work begins:

This is my first attempt of a sunset with clouds overhead.  While the illustration is not photo-realistic, I think the composition is good (foreground = land, middle ground = water, background = sunset and clouds).  I am also pleased with how the colors are working together.

Preview II: “Ink”

Yes, another preview – and perhaps a few more before the official site is launched.

I’m starting to develop a decent workflow using the Cintiq and am really enjoying the process.  This illustration shows that a few brushes and a condensed palette can work well in developing a final composition.

Preview: “Ink”

Over the past several weeks I’ve been experimenting with my new Cintiq and I am really enjoying it.  Here’s an example of one of my recent creations:

I’ll post a few more examples over the next few days.